Even as she bends metal with her mind and causes deaths (spoiler alert: she accidentally kills her brother’s pet hamster), she stresses about the pimples on her thighs and how she finds her best friend a little too pretty. Simultaneously we always wanted Sydney to feel unique in her own way, that she is her own version of this celebrated landscape.” As Bitch cofounder Andi Zeisler wrote of the 2013 Carrie remake, “ Carrie is unique in the pantheon of classic horror movies for being entirely a women’s story.” I Am Not Okay With This carries on that tradition by keeping Syd’s voice and experiences at the forefront. We didn’t want to be afraid of leaning in to these treasured, iconic, visceral images that we had all grown up with. “We knew we were entering into the sandbox of these treasured characters. “You have these prized female characters like Roald Dahl’s Matilda, Stephen King’s Carrie, the very beloved Eleven from Stranger Things,” Hall told Variety. While making the series, though, they recognized they were entering a space where young women are messy (“Maybe I’m more fucked up than I thought,” Syd muses when her rage-fueled telekinesis puts a hole in her bedroom wall) powerful, and don’t always employ a moral stance when deciding how to deploy their powers. “It’s a very cool image but it’s very similar to Carrie. “It suddenly dawned on me once we started that process,” Hall told Entertainment Weekly. ![]() The creators of I Am Not Okay With This quickly became aware of the way their work recalls Carrie, especially in the opening scene with Syd, blood-soaked and walking through the darkness. Think of the impact of Stranger Things’s Eleven (Millie Bobby Brown) or Carrie (Sissy Spacek) in the original 1976 film. Or as I Am Not Okay With This cocreator Christy Hall told Variety, “I do think the rise and fall of emotion-the powerlessness I felt with my emotions when it comes to starting your period-there’s nothing more wild and interesting and untethered than a female girl when it comes to the power and depth with which we can feel our emotions.” While we have iconic female superheroes that exude strength in a more feminized, traditionally admirable way (think Wonder Woman or Captain Marvel), the ones that many female viewers connect with more deeply are those that feel more real, even if that means they seem messy or come across as unhinged to those who expect women to maintain a facade of complete control at all times. I don’t mean to, but it just spills out,” she says in the first episode), is just trying to survive high school, but her moods are more than moods, and her internal thought processes are layered: She’s reeling from the death of her dad, trying to figure out her own sexuality, and also simultaneously realizing she has superpowers that she can’t control any more than she can control her grieving process or her queerness.įor young, female characters, sudden superpowers have often been aligned with puberty. ![]() Syd, a teenage girl forced by a counselor to write in a diary because of her “moods” (“I just keep losing my temper. When we meet Sydney (Sophia Lillis) in Netflix’s I Am Not Okay With This, she’s covered in blood and walking down an empty street at night in a dress and boots, a distant look on her face, as if something horrid has happened, and perhaps she’s accepted it already-or accepted that she never will. ![]() Sophia Lillis as Sydney, left, and Sofia Bryant as Dina in I Am Not Okay With This (Photo credit: Netflix)
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